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Berlioz Requiem : a NBC first
24 June 2019
Last Saturday the Northampton Bach Choir mounted
their first performance of Berlioz’s Grande Messe des Morts,
commonly known as the Requiem. NBC have taken part in a
performance before, a number of years ago, but this was the first
time they have done it “solo” (though, as you will read, they were
hardly alone!).
Choir, Orchestra, Timpanists, Soloist,
Conductor, and Brass Band - 180 performers!
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This was surely the grandest performance mounted in St Matthew’s
Church for many years - the chorus and large orchestra were
supported by no fewer than seven timpanists playing fourteen
kettledrums, and the complete forces of Rushden Town Band, divided
into the four corners of the building. And that’s before you’ve even
thought about the colossal solo voice of Ben Thapa!
The Choir and Orchestra in Rehearsal
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This performance required a huge commitment from our Musical
Director and committee, not least our Concerts Manager, in booking
all the players, organising the rehearsals, creating custom vocal
scores for the choir to fully involve the altos (who Berlioz didn’t
consider all that much!), teaching the French pronunciation of
Latin, reorchestrating the orchestral parts to accommodate a
slightly reduced woodwind session, and totally reorchestrating the
brass parts to suit the specific constraints of the British Brass
Band.
As you can see from the photos, we had a huge number of performers -
just over 180 in all - and the very large audience got all the
decibels from all directions - it was staggering! The feedback we
have received already has been full of praise, though perhaps
next-time we ought to provide audience members near each corner of
the building with ear defenders for the force of the brass!
Lee’s T-Shirt - I Love Berlioz
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Lee conducting the bands in all four corners of the building
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This concert was the first in our <B> series, which continues
next term with Brahms’s Requiem, then onto our 80th
anniversary performance of Beethoven’s Missa Solemnis
(another NBC first), then to Bach’s St John Passion, and
finishing next summer with Bruckner’s Mass in E minor and Motets.
The "preview": I had no
expectations, but one Choir
member said, "Be ready for
lots of kettledrums".
The reality: A magnificent
and truly surprising evening
- Lee masterfully in
control, the hard-working
Choir never better, the
orchestra (including those
kettledrums) superb, the
soloist memorable and
sound... everywhere! (And
the programme notes were a
delight as well!)
I sat next to a "I'm not
really a Berlioz fan", but
she surely was by evening's
end. I'm already looking
forward to the next B (for
Brahms) on 23rd November. |
Gary Shaeffer, Friend |
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