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French Fireworks! From Widor to Castagnet
24 June 2018
A Network of French Composers
Yesterday, the choir pulled off a demanding programme of works
celebrating the great heritage of French organist-composers,
beginning in 1879 with Charles-Marie Widor, and ending in 2007 with
Yves Castagnet. The concert included two massive Masses - the first,
the Messe solennelle of Louis Vierne began the concert in thundering
C sharp minor, gradually giving way to the heavenly clouds of C
sharp major at the very end of the Agnus Dei. The second Mass, the
Messe ’Salve Regina’ by Yves Castagenet (almost) closed the
evening’s music-making. Both of these Masses are written for large
choir and not one but <two> organs, and we were delighted that the
virtuoso organist, Simon Hogan, was on hand to reduce the two organ
parts onto one! It was a particular privilege to sing the Castagnet,
having met him when he accompanied our singing when we were on tour
at Notre-Dame Cathedral in Paris (2013). The real showstopping
moment is in the Sanctus, when the organist plays seemingly hundreds
of notes in every single bar, from beginning-to-end … simply
stunning.,
Louis Vierne at the Organ Console
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The Audience Assembles
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The smaller choral works on offer came from the pens of Francis
Poulenc and Marcel Dupré, and Simon Hogan got the opportunity to
shine in two (and a half) organ solos; the Litanies of Jehan Alain,
and the memorial to Jehan Alain, Prélude et Fugue sur le nom d’Alain,
by Maurice Duruflé. Remarkable virtuosity was on display from
beginning to end. It was mentioned earlier that the concert almost
closed with the Castagnet, and that there were two and a half organ
solos. Well, the concert ended with a well-deserved encore - Widor’s
famous Toccata, not only played by Simon, but with some additional
choral moments, designed by the late Sir David Willcocks.
Yves Castagnet at the Grande Orgue of
Notre Dame
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