News
Keeping you updated with the latest news
 

2022

1 March 2022
Song for Ukraine
21 February 2022
#22for22 Update
7 February 2022
The Armed Man

2021

16 December 2021
#22for22 is launched
4 December 2021
Christmas is Back! with a brassy bang!
6 November 2021
714 Days... Back in Concert
27 October 2021
660 Days... We're Back
4 October 2021
Annual General Meeting
1 August 2021
2021/22 Season Launched
7 June 2021
Expanding the Canon
18 May 2021
Live Singing started ... stopped
17 May 2021
Fridays and the Future
14 April 2021
Virtual Video
12 April 2021
Summer in the Alps
26 March 2021
Fridays at Four - Spring Done
9 March 2021
International Women's Day
22 February 2021
Cooking up a Feast
12 February 2021
Centenary Classics
11 January 2021
Classical Classics

2020

31 December 2020
Christmas Choral Alphabet
17 December 2020
Christmas Singing and Quiz
4 December 2020
Experts - Angel, Nun, and Priest
2 November 2020
Concerto for Ten
22 October 2020
Virtual AGM
14 September 2020
How can I keep from singing?
7 September 2020
An Angel, a Nun, and a Red Priest
29 August 2020
Choral Alphabet reaches 3000
27 July 2020
Virtual Quiz Time
1 July 2020
Our MD begins with RLSBC
8 June 2020
Howells in Lockdown
9 March 2020
Committee Changes
9 January 2020
New Appointment for our MD
6 January 2020
Choral Evensong in Oxford

2019

2018

2017

2016

2015

2014

 

French Fireworks! From Widor to Castagnet

A Network of French Composers

Yesterday, the choir pulled off a demanding programme of works celebrating the great heritage of French organist-composers, beginning in 1879 with Charles-Marie Widor, and ending in 2007 with Yves Castagnet. The concert included two massive Masses - the first, the Messe solennelle of Louis Vierne began the concert in thundering C sharp minor, gradually giving way to the heavenly clouds of C sharp major at the very end of the Agnus Dei. The second Mass, the Messe ’Salve Regina’ by Yves Castagenet (almost) closed the evening’s music-making. Both of these Masses are written for large choir and not one but <two> organs, and we were delighted that the virtuoso organist, Simon Hogan, was on hand to reduce the two organ parts onto one! It was a particular privilege to sing the Castagnet, having met him when he accompanied our singing when we were on tour at Notre-Dame Cathedral in Paris (2013). The real showstopping moment is in the Sanctus, when the organist plays seemingly hundreds of notes in every single bar, from beginning-to-end … simply stunning.,
 
Louis Vierne at the Organ Console
 
The Audience Assembles

The smaller choral works on offer came from the pens of Francis Poulenc and Marcel Dupré, and Simon Hogan got the opportunity to shine in two (and a half) organ solos; the Litanies of Jehan Alain, and the memorial to Jehan Alain, Prélude et Fugue sur le nom d’Alain, by Maurice Duruflé. Remarkable virtuosity was on display from beginning to end. It was mentioned earlier that the concert almost closed with the Castagnet, and that there were two and a half organ solos. Well, the concert ended with a well-deserved encore - Widor’s famous Toccata, not only played by Simon, but with some additional choral moments, designed by the late Sir David Willcocks.

Yves Castagnet at the Grande Orgue of Notre Dame