On the 27th November the Northampton Bach Choir will join forces
with the Royal Philharmonic Orchestra for a concert of orchestral
and choral masterpieces with a definite French flavour. Opening the
concert in regal style will be Handel’s Zadok the Priest;
performed at every British coronation since 1727, this piece
ceremoniously opens with layered strings before bursting with choral
joy. The concert then takes on a distinctly French character with
Saint-Saëns’ devilish Danse Macabre – recognisable as the
theme from the TV series Jonathan Creek – and Poulenc’s
Gloria for which the outstanding soprano Elin Pritchard joins
the Northampton Bach Choir and the orchestra. Saint-Saëns’ grand
“Organ” Symphony closes this concert with its brief and haunting
introduction to the layered brass finale, this piece soars to the
heavens.
Programme:
Northampton Bach Choir
Royal Philharmonic Orchestra
Conductor - Jean-Luc Tingaud
Soprano - Elin Pritchard
Organ - Jonathan Scott
Handel - Zadok the Priest
Saint-Saëns - Danse Macabre
Poulenc - Gloria
Saint-Saëns - Symphony No.3, “Organ”
Gloria Francis
Poulenc (1899-1963)
Commissioned by Serge Koussevitsky and writen between May and
December in 1959, Poulenc’s setting of the Gloria was first
performed by the Boston Symphony Orchestra in January 1961 conducted
by Charles Munch. It was an immediate success in the USA but took a
little longer to become an established part of the repertoire in
France. The composer considered that the Gloria was the best
thing he had ever done and explained to his critics that he had been
thinking of “those frescoes where angels stick their tongues out and
those grave Benedictine monks I have seen playing football”. It is a
tuneful work which draws on a variety of stylistic sources including
Gregorian, what might be a brief echo of the music hall in the
trombone introduction, and something of Stravinsky’s Rake’s
Progress in the orchestral accompaniment, the short but very
slow and very quiet middle section (Gratias agimus tibi)
which might almost have been written by Messiaen in celestial mode.
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Jean-Luc Tingaud
Conductor |
After studying the piano
and conducting at the Paris National Conservatoire
Jean-Luc Tingaud was chosen by Manuel Rosenthal to be his
assistant. Rosenthal, himself a pupil of Maurice Ravel, was
a formative influence, instilling in the younger man his
passion for French music.
Opera has always been one of Jean-Luc Tingaud's main
interests. He has conducted at the Wexford Festival, at the
Opéra National de Lyon and at the Théâtre Mogador in Paris,
as well as many other major opera feativals. From 2002 to
2007 he was Associate Conductor of the Opéra Comique.
His discography includes several operas and he has recently
recorded two further CDs for Naxos with the RTÉ National
Symphony Orchestra in Dublin, the first, of music by Dukas (The
Sorcerer’s Apprentice, La péri and Symphony in C) was
released in November 2014 to outstanding reviews. The
second, of music by Bizet (Roma, Patrie, Jeux d’enfants
etc.) was released in March 2015.
In 2004 he made his London debut at the Barbican conducting
the English Chamber Orchestra with soloists Joshua Bell and
Steven Isserlis. Other orchestras he has worked with include
the Ulster Orchestra, the Orchestra of Opera North, and many
major European orchestras. 2014 included four important
debuts: in June he appeared with English National Opera
conducting The Pearl Fishers and conducted the Royal
Philharmonic Orchestra in a concert performance of La
bohème at the Salle Pleyel. In August he made his debut
at the Arena di Verona conducting Roméo et Juliette
with a cast including Vittorio Grigolo and Lana Kos, and in
October he conducted La fille du régiment at the
Teatro Real in Madrid. |
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Elin
Pritchard
Soprano |
Welsh Soprano Elin
Pritchard is a graduate of the Alexander Gibson Opera School
at the Royal Conservatoire of Scotland, where she was
awarded a Master of Opera with distinction and a Master of
Music, and of London’s National Opera Studio.
Her operatic roles have included Micaëla Carmen for
Mid Wales Opera, Miss Jessel The Turn of the Screw
and Stella I Gioielli della Madonna for Opera Holland
Park, Fox The Cunning Little Vixen for the Royal
Scottish Academy of Music and Drama, Donna Elvira Don
Giovanni for Finnish National Opera, Donna Elvira Don
Giovanni, Anne Trulove The Rake’s Progress and
Violetta La traviata for Scottish Opera.
Elin Pritchard sings regularly in concert, her repertoire
including Bruckner Mass in F Minor, Brahms Requiem,
Dvorak Te Deum, Fauré Requiem, Mendelssohn
Elijah, Mozart Coronation Mass, Mass in C
Minor and Requiem, Rossini Petite Messe
Solennelle and Stabat Mater, Rutter Requiem
and Verdi Requiem.
A Samling Artist, highlights of 2014 / 2015 included Lucia
Lucia di Lammermoor at the Buxton Festival,
Fiordiligi Così fan tutte for Den Jyske Opera and
Giorgetta Il tabarro / Nella Gianni Schicchi
for Opera Holland Park.
Her current engagements include First Nymph Rusalka
for Scottish Opera, Donna Elvira Don Giovanni for
Winslow Hall Opera, Musetta La bohème for Opera
Holland Park, Kupava The Snow Maiden for Opera North,
Haydn St Nicholas Mass with the English Chamber
Orchestra, Mahler Symphony No. 4 at the Northern
Chords Festival, Poulenc Gloria with the Royal
Philharmonic Orchestra and Northampton Bach Choir, Vaughan
Williams Sea Symphony with the Brighton Philharmonic,
Hathaway – Eight Arias for a Bardic Life at
the Buxton Festival and Opera Galas for Clonter Opera
and the Samling Foundation. |
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